Game: VOIDFACE
Developer: Frog Hat Labs
Publisher: Mad Mushroom
Genre: Bullet Hell Boss Rush
Released: August 18, 2026
Platform: PC (Steam)
Price: $8.99
Length: 2–4 hours
Install: 200 MB
Steam Deck: Verified
$8.99Price
1Life
29Achievements
200MBInstall
2GBRAM Needed
💀 Know this first: the bullet hitboxes match what you see on screen. That sounds obvious. It isn’t — it’s the opposite of how most bullet hells work, and it’s the reason genre veterans die here. Full explanation below, and it’s the single most useful thing in this review.
⚖️ Every Enemy Is a Boss, and You Get One Life
VOIDFACE strips the genre to its most concentrated form. There are no trash mobs. Every encounter is a handcrafted boss with its own patterns, its own gimmick and its own solution, and you take them apart piece by piece while dodging everything they throw at you.
One life. Frog Hat Labs put it plainly on the store page: be prepared to die a lot.
Around the dodging sit offensive and defensive spells — some straightforward, some that take real practice, and all of them capable of turning a fight if you know when to use them. Beat things and you unlock hats and artwork, because survival shouldn’t cost you your style.
The reception has been warm and specific: Very Positive, with reviewers repeatedly describing the difficulty as “just right” — including several who open by admitting they’re bad at games.
Be prepared to die. A lot.
“Somehow it’s one of the hardest games I’ve played and I feel myself just loving it anyway.” That contradiction runs through nearly every review of this game.
VOIDFACE is a bullet hell boss rush from Frog Hat Labs, published by Mad Mushroom. It launched in August at $8.99 and sits at Very Positive on Steam, with reviewers reaching for phrases like “one of the best bullet hells I’ve ever played.”
Our verdict: VOIDFACE delivers intense bullet-hell action with stylish spell-casting mechanics that demand genuine skill and practice. It’s short, it’s cheap, and it does one thing extremely well.
The Hitbox Thing Is the Most Important Detail
🎯 VOIDFACE Breaks a Genre Convention on Purpose
One reviewer identified something genuinely expert here, and it deserves proper explanation because it will catch out exactly the players most likely to buy this.
In most bullet hell games, bullet hitboxes are noticeably smaller than the bullets look. That’s a deliberate, decades-old convention — Touhou and its descendants all do it. Combined with a tiny player hitbox, it means the visible edge of a projectile can pass straight through you without killing you. Experienced players internalise that. Grazing is part of the language.
VOIDFACE doesn’t do that. The hitboxes match the sprites almost exactly. As the reviewer put it: if a single pixel of a bullet touches your hitbox, you will still die.
The result is a lethal learning curve aimed specifically at veterans. They reported dying over a hundred times, and attributed most of those deaths to hitbox expectations rather than the bosses being hard.
It’s a design decision, not a bug — and arguably a more honest one, since what you see is what kills you. But if you’ve spent years in this genre, you have muscle memory that is actively wrong here, and nobody tells you that on the store page. Now you know.
The Bosses Are the Whole Point
👹 Every Fight Is a Boss
No filler enemies. Each encounter is handcrafted with its own gimmick and solution.
🔮 Spells
Offensive and defensive, some far harder to master than others. Key to survival.
🎩 Hats & Artwork
Unlockable cosmetics and gallery pieces. 29 achievements to chase.
🏫 Shoot Your Teacher
The tutorial reportedly has a secret if you turn on the person explaining the game.
The most detailed review we read named this as the main selling point, and it’s worth quoting the substance: there’s clear love, creativity and gimmickry in each boss, making them significantly more fun and memorable than the bosses in most bullet hell games. Another reviewer said the attacks “keep surprising me in the best ways possible.”
The difficulty framing is unusual too. It’s hard — but not sadistically so. Attacks are generally well telegraphed with tight but clear dodge patterns, and one player explicitly noted that almost nothing here reaches the intensity of something like Touhou on Lunatic. It’s more interesting to fight than it is punishing, which is a rarer combination than it sounds.
“Short,” Say the People With Thirty Hours In It
⏱️ The Runtime and the Playtimes Don’t Match
VOIDFACE is described as a 2–4 hour game, and the most common request is for more levels, an expansion or a higher difficulty.
Then you look at the hours on the reviews saying it. 35 hours. 31 hours. 20 hours. On a game you can finish in an afternoon.
That gap is the most revealing thing about VOIDFACE. A 2–4 hour completion time is a measurement of the critical path, not of how long people play it — because a boss rush with one life and no checkpoints is a game you re-run, refine and master rather than finish.
So “it’s short” is true and slightly beside the point. At $8.99 with thirty-hour engagement, the value maths works out considerably better than the runtime suggests — and the people asking for more content are asking because they exhausted a game they loved, which is a good complaint to have.
Still worth knowing before you buy: if you play something once and move on, this is an afternoon.
Where It Genuinely Needs Work
📹 The Camera Is the Real Complaint
Two separate players raised the same issue independently, which makes it the most substantive fixable problem here.
• The camera moves constantly during attack patterns, tracking bosses as they reposition — and that movement can throw off a dodge you’d otherwise have made. One player reported it getting “pretty bad on the finale.”
• It’s also very zoomed out, which combined with the motion makes reading dense patterns harder than it needs to be
In a game where survival depends entirely on precise spatial reading, a camera that won’t hold still is working against the core mechanic.
Other requests worth passing on:
• No practice mode. One player wished for one repeatedly when stages felt out of reach — though they concluded that beating it without felt more satisfying
• Focus mode can’t default to on. A player asked for a Celeste-style inversion, where the behaviour is automatic and the button toggles it off
• The basic gun has limited range and damage falloff, which stings when a boss forces you to the edge of the arena
None of these are severe. All of them are the sort of thing a small team can address, and one reviewer expected they would be.
Things to Know Going In
📋 Setting Expectations
• $8.99, historical low $8.09 at launch. Roughly 2–4 hours to clear, far longer to master
• Very Positive on Steam, and the praise is unusually specific — attack patterns, boss design, music, polish
• Genuinely accessible for a bullet hell. Multiple reviewers open by saying they’re bad at games and then call the balance perfect. There’s also a hard mode if you want it
• The music gets singled out repeatedly, including by a player who noted it never grated across dozens of deaths — high praise for a game you’ll hear the same track in for an hour
• Steam Deck Verified with full controller support. ⚠️ Frog Hat Labs did post a separate note about Deck compatibility at launch, so it’s worth a read if you’re buying specifically for handheld
• 200 MB install, 2 GB of RAM and a card with 512 MB of VRAM. It will run on essentially any machine you own
• Eight languages, interface only — there’s no voiced dialogue to localise
• There’s a free demo, and one reviewer admitted to putting far too many hours into it before buying
• Single-player only, with 29 achievements and unlockable cosmetics as the long tail
The Good, The Bad, & The Ugly
| The Good |
The Bad |
The Ugly |
| Boss Design Is the Selling PointNo filler enemies — every encounter is handcrafted with its own gimmick. Reviewers describe clear love and creativity in each one, and call them significantly more memorable than the bosses in most bullet hells. The attacks keep surprising people. |
No Practice ModeA player wished for one repeatedly when stages felt out of reach — then concluded beating it without was more satisfying. A genuine design tension, but an optional mode would cost nothing. |
The Camera Won’t Hold StillIt tracks bosses constantly mid-pattern and sits very zoomed out, which two players independently said threw off dodges — reportedly worst during the finale. In a game built on precise spatial reading, that’s the camera fighting the core mechanic. |
| Difficulty Nobody Complains About“Goldilocks” and “just right” recur constantly, including from reviewers who open by saying they’re terrible at games. Hard enough that every win lands, accessible enough that people who suck at bullet hells finished it. |
The Basic Gun Falls OffLimited range and damage drop-off, which stings when a boss pushes you to the edge of the arena and your only reliable weapon stops being reliable. |
Hitboxes That Punish Genre VeteransBullet hitboxes match their sprites almost exactly, unlike the smaller-than-they-look convention most bullet hells use. Honest in principle — but it means years of muscle memory are actively wrong, and nothing warns you. |
| Music That Survives a Hundred DeathsRepeatedly singled out, including by a player who noted it never grew tiring no matter how many times they died. For a game you’ll replay the same fight in twenty times, that’s not a small achievement. |
Focus Mode Can’t Default OnA player asked for Celeste-style inversion — automatic by default, with the button toggling it off. Small quality-of-life gap in a game where every input matters. |
It’s Over in an AfternoonTwo to four hours on the critical path, and the most common request is simply for more of it. The playtimes suggest people replay it heavily — but if you play things once and move on, budget accordingly. |
| Nine Dollars, 200 MB, Runs on AnythingSteam Deck Verified, full controller support, 2 GB of RAM and a 512 MB card as minimum, 29 achievements and a free demo. The barrier to trying this is about as low as PC gaming gets. |
—Nothing else recurs across the reviews. No crashes, no performance problems, no missing features — the complaints are all refinements. |
— |
The Verdict
VOIDFACE is a small, focused, very well-made game that knows precisely what it is. Stripping out trash mobs so that every single encounter is a designed boss fight concentrates everything good about the genre, and Frog Hat Labs clearly spent their effort where it counts — reviewers describe the attack patterns as inventive and surprising, the music as strong enough to survive a hundred deaths, and the whole thing as unusually polished.
The difficulty balance is the quiet triumph. Bullet hells generally sort players into “can do this” and “cannot do this,” and VOIDFACE has a striking number of reviews that open with some version of “I’m terrible at games” and end with “it’s perfectly judged.” That’s hard to engineer and it’s why the reception is this warm.
The hitbox decision is the thing to go in knowing. Pixel-accurate bullets are more honest than the genre standard, and they will absolutely kill you if you’ve trained on anything else. Expect a rough first hour of unlearning, and don’t mistake it for the game being unfair.
The camera is the one real flaw. Constant tracking motion during dense patterns, at a zoom level that’s already asking a lot, is the sort of thing that turns a fair death into a frustrating one — and it’s entirely fixable.
The honest read: buy it. At $8.99 for something this polished it’s an easy call, and the free demo removes any remaining risk. Just know you’re buying a game to master rather than to finish — the people with thirty hours in a four-hour game are the ones who understood the assignment.
And if more levels or an expansion ever arrive, the audience is already asking.
For more game reviews, check out our full reviews section.
Score Breakdown
Boss Design & Creativity9.0/10
Hardware Reach & Steam Deck9.0/10
Quality-of-Life Options5.0/10
Final Score
8.0/10
VOIDFACE — Frog Hat Labs
A game to master, not to finish
Related
